From Draft to Shelf: What "Indie Publishing" Really Means
Join me behind the books to see what all goes into Indie Publishing!
BEHIND THE BOOKS
Charissa Stastny
8/11/20264 min read


When you hold a book in your hands, it’s easy to focus on the story between the covers. But have you ever wondered how that book made the journey from a writer’s desk to your bookshelf?
In the book world, there are two paths a story can take.
Traditional publishing (like large New York-based corporations) uses book agents to decide which stories make it to store shelves.
and Independent publishing (or indie publishing), the path I chose when I founded Tangled Willow Press.
Sometimes, people hear "self-published" or "indie" and assume it means uploading a rough, unpolished draft to the internet. But the reality is so much bigger, more professional, and way more personal.
Let me pull back the curtain and show you what indie publishing means for me.
Wearing All the Hats
When a book is published traditionally, an author writes a manuscript and then hands it off to a small army of helpers--structural editors, copyeditors, cover designers, interior formatters, art directors, marketers, and distribution coordinators.
In the indie world, those jobs don't disappear—they just use fewer people. Running Tangled Willow Press has meant learning to wear a lot of different hats, often all in the same week:
The Author Hat: This is where the magic begins—using imagination to draft clean, wholesome contemporary romances and children's stories. It’s the quiet, vulnerable space of putting my heart onto a blank screen. Some authors write a novel a month. For me, the novel writing process (from rough draft to published book) takes about a year.
The Illustrator Hat: For my children's imprint, Tumbleberry Tales, the storytelling doesn't stop with words. I spend countless hours using AI to create images of characters and settings that I upload to my IPad to polish with a program called ProCreate. That tool has tons of art brushes I use to draw, paint, and do all kinds of unique brushstrokes to personalize the art for my story. This takes me several months of work, per book.
The Designer Hat: This is a more technical hat. For my picture books, I use design tools like Canva and ProCreate to format the interior pages to an 8x8-inch layout so the text aligns beautifully with the art. I use different fonts to create emotion, I calculate book spines, design my front and back covers, and set up the metadata.
The Publisher Hat: This is where I spend hours uploading finished files onto various printing platforms (like Amazon), then proofreading those pages one by one for mistakes, then ordering physical proofs to check each book again. This is a tedious and expensive process (especially with picture books) because I have to buy the books to proofread. And if there are mistakes, which there always are, I have to buy another book, and maybe even one more after that. When I finally find no more mistakes, I push the PUBLISH button and you can buy it on Amazon or my website store.
The Business Owner Hat: This covers all of the administrative and marketing duties. It's where I connect global printing distributors (like Bookvault), configure shipping zones, update websites and newsletters, manage a custom online storefront, and work with secure payment processors like Stripe and Payhip to get the books from a printing press to your doorstep.
It's a lot of work. But every single step ensures that when a book arrives at your home, it's exactly the high-quality, beautiful product I envisioned for you.
Why Indie Presses Bring Unique, Heart-led Stories to Market
You might wonder: If traditional publishing has teams of people to do all this, why go indie?
The answer is simple: Creative freedom and heart.
Traditional publishers often select stories based on what is trending or what fits a specific commercial mold. But some of the most meaningful stories don't fit neatly into a corporate box. And though it's a ton of work to do everything myself, I love having control over the final product. I don't have to insert sex scenes into my romances to please a publishing house. I get to decide how my front cover will look.
When you buy a book from an indie press, you aren't contributing to a corporate bottom line. You are supporting a small business, a local creator, and a dream. You're ensuring that stories written from the heart—not a marketing spreadsheet—continue to find a home.
The Joy of Connection
Perhaps the best part of being an indie publisher is the direct connection it allows me to build with you.
When you purchase a book directly from my online shop, it isn't an automated transaction in a massive warehouse. It’s a direct bridge between my studio and your living room. Thanks for being part of this adventure and helping this little tangled willow press grow stronger with each season.
What about you? Do you have a favorite indie author, small-business press, or local shop you love to support? What makes buying "small" special to you?
Since our website blog doesn't have a comment section, I’d love to hear your thoughts directly! If you're a newsletter subscriber, simply hit "reply" to the latest email and share your favorite creators with me.
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